I had a blast hosting a sold out workshop at my studio this past weekend. Thank you to my students for coming from places as far away as Boston, Seattle, and the Cayman Islands. Shout out to my incredible models (@yesandso seen here) for making it easy to turn these techniques into moving art.
Read MorePhoto Shoot with Ballet Dancer Caitlin Valentine
I had a lot of fun exploring my new @nanlite_global Pavotubes. I set them to rapidly change through the prismatic spectrum while @bemycaitlinvalentine danced. I explored a range of techniques from long exposure to using prisms to shooting through reeded plastic. I’m super excited to explore the lights in greater depth.
Read MorePhoto Shoot with Dj / Producer Kallaghan
Images From the Creative Portrait Workshop: April 2022
This past weekend I taught a Creative Portrait workshop to five students, at my Columbus studio. I’ve been teaching workshops for over a decade now, and each time I teach one I tweak the format a bit, which keeps it interesting for me and my students. My work is constantly evolving and so I like to work a couple of my newer techniques into each workshop. I typically teach 8 core techniques, each of which can be executed in a number of different ways, each producing radically different results. Here’s what I taught, this time…
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Hair / Beauty Shoot with Chyna Tené
A few weeks ago my friend and frequent collaborator @chyna.tene stopped by my studio to hang out. She brought some of her crafting materials with her to work on some of her art while we chatted. We got to talking about hair and I showed her a book of hair portraits from J.D. ‘Ojeikere before suggesting that we do a similar, hair-themed session. She selected some jewels and I cut some strips of wire from her crafting materials and we styled her hair in several different ways. I used the @lindsayadler_photo x @westcottlighting Optical Spot and gobos to illuminate her in a variety of patterns. The whole shoot only took about 45 minutes but the act of creation and collaboration stuck with me for the rest of the day.
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Femme Fatale Vibes with Molly Ridge
This was a short, impromptu study of color and mood, with Molly Ridge. Once again I used the Lindsay Adler Optical Spot to create sharp, bold shadows.
Read MoreShoot with Ballerina Francesca Jordan Dugarte
My latest attempt at capturing the beauty of movement over time. Been exploring long exposures while rotating my @prismlensfx linear filter and multi-strobing my flash. Excited at the possibilities! Also really loving the hard light and fast falloff I can get with my @lindsayadler_photo @westcottlighting Optical Spot.
Read MoreWater Drops, Light Painting, and Lens Fungus (Oh My)
When Lily arrived at my studio I decided to start off with some colorful water drop portraits before getting into the light painting…
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Conceptual Photo Shoot on Vision for The Wall Street Journal
In today’s edition of the @wsj there’s an incredible article written by Susan R. Barry about eyesight. The piece focuses on Liam McCoy who, at the age of 15, underwent corrective surgery to give him the ability to see. As Barry articulates in the essay, when a blind person gains the ability to see later in life “the improvements [are] discombobulating. Surgery plunged Liam into a world of sharp lines and edges. While we all see lines at the boundaries of objects or shadows, we know where these lines belong. We recognize an object immediately—all of its parts combine together, instantly and effortlessly, into a single unit. But after a childhood of near-blindness, Liam did not recognize the lines as boundaries of known objects. Instead, he saw a tangled, fragmented world.”
This is where I enter the equation…
Tryzdin Grubbs (American Idol contestant) Photo Shoot
Tryzdin Grubbs is an uber-talented, 15-year old singer from Columbus. He also just happened to get accepted onto the latest season of American Idol. Before the episode had even aired, Tryzdin popped by my studio for a photo shoot. This was our third shoot in as many years and this one was the most dynamic yet. We’ve both grown quite a bit in our respective crafts and so it was cool to see what new things we were bringing to the shoot, from a personal and professional standpoint. Here are just a few of the different looks that we knocked out in the brief but efficient, one-hour shoot.
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Playing with Bold Colors and Silhouettes
Collaboration with Clothing Designer Xuena Pu
This was a deceptively simple shoot. Designer Xuena Pu makes garments with bold shapes, so I decided to make a range of basic shapes in Photoshop which I projected onto fabric behind the model. I made the shapes orange and chose to light the model with a complementary color of cyan. I used a softbox to create even, flattering light, making to add a grid to in order to avoid overlighting the backdrop. I then posed Dajia so that her lines (or lines from the garment) either aligned or broke out of the projected shapes.
Read MoreTechnophobia: Some of Us Are Looking at the Stars Photo Shoot
I listened to more than my share of darkwave and industrial synth back in the day so I was more than a little stoked when the DC-based duo Technophobia reached out to me to shoot press photos for their upcoming album cycle. They left much of the creative direction up to me, inviting me to “do what I do”, which I interpreted as “whatever I’ve been experimenting with lately”…
Read MoreWilted Flowers, Crumpled Leaves, and Other Pretty Dead Things
We had a bouquet of flowers on our dining room table for the last two weeks, and it had been dead for easily half that time. When I finally got around to tossing the dead flowers I caught myself and decided instead to bring them to my studio to photograph. Though I’ve been photographing flowers and plants for years I’ve never thought to document them after their prime. I added in some dead leaves from one of our ailing house plants to round out my decay study. I enjoyed these studies so much that I may begin a new series around it.
Read MoreShe's on Fire
A couple weeks ago I shot with photographer/model/stylist Hayle Cordle and I leaned back into my passion for color. Since I wrapped writing for Chroma two years ago I have shifted my focus from color to experimenting more with abstraction and texture. This felt more like a simple study of mood, via color. I need to give myself permission to do more of these simple, fun explorations. It’s restorative.
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Exorcise Routine
Yesterday I shot with Katy and really leaned into creating dreamlike (nightmarish?) images. I’ve been experimenting with mylar for over a year now and continue to find new ways of interpreting the material. I love the soft reflection it offers, which give the photos a painterly quality. With the warping of the material, otherwise dreamy images turn into those depicting an exorcism.
Read MoreBlue and Gold
My friend Dylan is an amazing designer and illustrator and he recently hit me up to update his head shot. He uses a certain hue of cyan for his branding which he wanted to implement into the shoot. I decided to also use yellow-gold (the complementary color) and work within that palette for the entire session, changing only the angle or hardness of the light sources. Here are just a few ways to use two colors:
Read MoreMetal Hammer Magazine: Lamb of God
Back in February I had the opportunity to photograph the metal legends Lamb of God in their hometown of Richmond, Virginia. I was told that the theme of the story was revolution so I began to brainstorm ideas for lighting, pose, and technique that would match. We used orange as the color palette, giving a nod to Russian propaganda posters. I also decided to give a nod to the infamous NWA album cover for Straight Outta Compton.
Read MoreStrata VIII
I’ve shot with rubber cement half a dozen times now, each time slightly changing not only how I apply the material to the plexiglass but also how I light it and process the images in post. Though I’m getting closer to what I’m going for in this series, there are still so many variables to explore with this material. Over the past year I’ve experimented with shooting through a range of substances and materials to get more painterly or sculptural results, titling the series Strata. You can view my other texture explorations here.
Read MoreIt's Always Sunny with Sonny
Last week I shot with Sonny and we did all the things. I started with a single, un-gelled “hard” light and then began ratcheting up the complexity. By using a range of different cucoloris (cookies) I created organic-shaped shadows on her face. By adding a cyan-gelled background light I was able to give the feeling of her being outside on a sunny day. We went on to play a range of different shadow-makers and color which worked perfectly with her long braids and flowing outfits.
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