Here are a handful of my favorite images from January’s Creative Portrait workshop. I’ve been teaching workshops since 2011 and have been slightly modifying the format each time until I found the current iteration. I now cap the two-day class at five students, which allows for more hands-on time and exploration of each technique. Since there are endless variations that can be created from any one of the techniques that I teach, I start by showing the class three iterations, and then I guide them, one at a time, in helping them fold it into their own visual style. This allows students to really retain the knowledge, as well as work it into their personal style.
Read MoreImages from Photo Workshop Intensives
Last month, for the first time ever, I offered several different workshop intensives. One focused on using just one strobe; one focused on color theory; and one focused on techniques that warped the subject’s appearance. These classes focused on a specific technique, rather than my Creative Portrait workshops, which focus on a broader range of creative techniques. I found the format helped both me and my students pay more attention to just how vast any one technique can be.
Read MoreFlea of Red Hot Chili Peppers for Los Angeles Times
Flea has a new podcast called “This Little Light”, on which he interviews a broad range of people from the music industry such as Patti Smith, Earl Sweatshirt, and Rick Rubin, thus mirroring his own diverse taste in music. When Calvin Alagot asked me to make portraits of Flea for the Los Angeles Times, I began thinking of different techniques that I could employ in an effort to reference the breadth and length of Flea’s career as well as his influence in the music world.
Read MoreJason Segel for the Los Angeles Times' Envelope
The @latimes_entertainment was doing a story on Jason Segel and his new show, Shrinking, and @himguydude asked me to shoot the portraits (thanks again for the trust and freedom, Brandon)…
Read MoreFuzzy Rainbows: Psychedelic Photo Shoot with Prisms
For this shoot I worked with prisms and boldly-colored gelled lights. I love the results, which simultaneously feel vintage and futuristic— psychedelic and cyberpunk. As always, these effects were created in-camera, only using Lightroom to enhance color and contrast.
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