Recent Work
Nick Fancher Nick Fancher

Recent Work

I have fallen behind when it comes to blogging, but still wanted to update it periodically. Here’s some of my favorite work from the last six weeks…

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Slipknot X Revolver Magazine Photo Shoot
Nick Fancher Nick Fancher

Slipknot X Revolver Magazine Photo Shoot

This shoot was a make-it-work situation, if ever there was one. I was given 30-minutes to shoot a magazine cover as well as individual portraits of each member of @slipknot for @revolvermag. Apparently I didn’t think this was tall enough of an order, so I decided to shoot four different color schemes, both with and without a prism…

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Shelby X Creative Portrait Workshop
Nick Fancher Nick Fancher

Shelby X Creative Portrait Workshop

I had a blast hosting a sold out workshop at my studio this past weekend. Thank you to my students for coming from places as far away as Boston, Seattle, and the Cayman Islands. Shout out to my incredible models (@yesandso seen here) for making it easy to turn these techniques into moving art.

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Warped and Fragmented Portraits of Rachel
Nick Fancher Nick Fancher

Warped and Fragmented Portraits of Rachel

I had a blast playing around with a range of different prisms, refraction panels, and ring lights last week with @rachelluree. As always, these effects were created in-camera, with the only post work done being color grading in Lightroom.

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Photo Shoot with a Projector and Prisms
Nick Fancher Nick Fancher

Photo Shoot with a Projector and Prisms

New work with @fulltime_babe. Been continuing my trip down the prism rabbit hole. I’ve learned the importance of waiting to edit a shoot until I’m in the proper headspace to really explore where the images want to go. The smallest tweak to my color grade can completely change the vibe of an image.

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Glowing Halo Photo Shoot (In Camera Effect)
Nick Fancher Nick Fancher

Glowing Halo Photo Shoot (In Camera Effect)

This glowing halo effect is latest technique that I’ve been exploring. The possibilities are as exciting to me as they are overwhelming. I want to dive in and try everything at once, but I’ve learned to let the process dictate the pace…

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Images From the Glow Photography Workshop
Nick Fancher Nick Fancher

Images From the Glow Photography Workshop

Here are a few selects from my “Glow” workshop this past weekend. One of my favorite things about teaching is that I often end up discovering new things, such as this concentric circle halo effect that I stumbled upon…

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Images From Latest Creative Portrait Workshop
Nick Fancher Nick Fancher

Images From Latest Creative Portrait Workshop

This past weekend I taught a 2-day Creative Portrait workshop at my Columbus, Ohio studio. Students came in from Utah, Arizona, Texas, and New York. It was an intimate time of learning, experimentation, and creativity…

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Images From My Latest Creative Portrait Workshop
Nick Fancher Nick Fancher

Images From My Latest Creative Portrait Workshop

Last week I taught a two-day photography workshop called The Creative Portrait. I taught my students a range of innovative camera and lighting techniques that allow them to capture subjects in creative ways. Here are a few of my favorite images from the weekend.

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Cannabis Campaign Photo Shoot
Nick Fancher Nick Fancher

Cannabis Campaign Photo Shoot

I was recently commissioned by Rove, a California-based cannabis company. They asked me to create a range of creative, lifestyle images using my in-camera techniques…

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Stef's Aura
Nick Fancher Nick Fancher

Stef's Aura

In this shoot I explored prisms and color and creating a glowing aura with Stef

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Using a Fungus-Filled Lens with Long Exposure and Prisms to Create Psychedelic In-Camera Effects
Nick Fancher Nick Fancher

Using a Fungus-Filled Lens with Long Exposure and Prisms to Create Psychedelic In-Camera Effects

Whenever I’m doing a personal shoot I try to make at least one small change to a tried-and-true technique in an effort to see how the resulting images differ from previous sessions. For example, let’s say I’m shooting long exposures in a darkened room while my subject is wrapped in strands of LED lights and moving around the room. Each image is different based on their movement, which creates unique light trails. In the following shoot I might have the subject and camera stationary as I swing the strand of LEDs around the room, thus framing the subject in light. Another session might involve me moving my camera while the subject and lights are unmoving. Each tweak of the formula creates dramatically different results and I frequently discover new techniques through these experiments…

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What Nightmares May Come: Exploring Prisms and Mylar
Nick Fancher Nick Fancher

What Nightmares May Come: Exploring Prisms and Mylar

I’ve worked with prisms from time to time over the years and enjoyed the effects that they offer but never really fell in love with them. Last week I decided to see what would happen if I used a prism while photographing mylar. The beautiful nightmarish images that were produced are the closest visual representation of a panic attack that I’ve ever seen. Now I’m in love.

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