I was recently sent a GVM B100C, which is a foldable LED light. To get a sense of it’s capabilities I did a shoot with Rachel Luree and used the light in two different setups…
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Shoot with Fashion Photographer Gail Shamon
This was a fun, quick little shoot with fellow photographer and friend @gabrielleshamon. Gail did her own hair, makeup, and styling. I did three lighting setups, sticking to a red/yellow/blue color triad. I simply rotated out gels on my main, background, and rim lights for each set. This allowed me to have a broad range of looks that still felt related to each other, all in a short amount of time (I think we shot for about 45 minutes).
Read MoreWhy We Choose to Suffer: Conceptual Portrait for Wall Street Journal
I was recently commissioned to create a conceptual portrait to accompany the @wsj article, “Why We Choose to Suffer.” The essay is an excerpt from Paul Bloom’s upcoming book, The Sweet Spot: The Pleasures of Suffering and the Search for Meaning, which touches on why we humans often choose things that create unpleasant moments for ourselves, and how these moments can ultimately lead to growth and even pleasure…
Images From My Creative Portrait Workshop
This past weekend I hosted a 2-day Creative Portrait workshop at my studio. In an effort to keep the atmosphere intimate and allow for a lot of hands-on time for students, I capped the workshop at 5 students. We covered a range of techniques such as using flags to shape light; color theory; making and using snoots; long exposure portraits; and lighting with projectors. We packed a lot in, as you can see below…
Read MoreWhatever it is, the way you tell your story online can make all the difference.
Vesperteen Promo Shoot
My buddy Colin Rigsby has a music project called Vesperteen, and he reached out to me to do a shoot last month. Colin and I go way back. His wife was friends with my wife before I ever met her. I attended his wedding, did several shoots with his old band, House of Heroes, and shared many great moments over the past two decades. It was great to catch up, shared some laughs, and create some beautiful art. We created a wide range of vibrant, kinetic images in promotion of his new music…
Read MoreTechnophobia: Some of Us Are Looking at the Stars Photo Shoot
I listened to more than my share of darkwave and industrial synth back in the day so I was more than a little stoked when the DC-based duo Technophobia reached out to me to shoot press photos for their upcoming album cycle. They left much of the creative direction up to me, inviting me to “do what I do”, which I interpreted as “whatever I’ve been experimenting with lately”…
Read MoreMake or Die
I recently collaborated with illustrator/designer/friend Dylan Menges. I wanted to explore shooting a subject through plexiglass while they painted and he was the first person that came to mind. Collaboration with another artist really takes a lot of the pressure of me as the photographer. I can give him some basic direction and then just capture the beauty that unfolds before me. An element that I really love but didn’t plan for are all the scuff marks on the plexiglass. It adds such a gorgeous tactility to the images…
Read MoreLong Exposures with Dancers Wrapped in LEDs
In my last post I mentioned how I’ve struggled for years to capture the essence of a dancer in a single frame. These are more attempts in this ongoing quest…
Read MoreZoom Photo Shoot with Roarie Yum
I first met Roarie Yum three or four years ago at a shoot I was doing with a different model. The two of them had been on the road together, taking modeling gigs one city at a time, and while I was shooting with the other model Roarie hung out on my studio couch and caught up on her email. I wasn’t aware of her work at the time and when I later saw her incredible portfolio I kicked myself for not working with her when I had the chance.
Read MoreMetal Hammer Magazine: Lamb of God
Back in February I had the opportunity to photograph the metal legends Lamb of God in their hometown of Richmond, Virginia. I was told that the theme of the story was revolution so I began to brainstorm ideas for lighting, pose, and technique that would match. We used orange as the color palette, giving a nod to Russian propaganda posters. I also decided to give a nod to the infamous NWA album cover for Straight Outta Compton.
Read MoreEpisode Two of The Creative Portrait
Episode two of The Creative Portrait is now live. In case you missed my previous post, I am teaching my entire creative process in a multi-episode video series. In this episode I cover the following setups:
Read MoreAll Things to All Men
This shoot with Dustin had a bit of something for everyone. I used a projector for most of the scenarios, using it in combination with a range of different camera techniques. I made in-camera multiple exposures, using different blending modes. I explored using slow shutter speeds, both by moving my hands as well as zooming my camera lens. Finally, I fired up a fog machine and projected different images through the smoke. There really are endless ways to use such a simple tool…
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Zoom Drag
This was a fun, quick session. A simple setup— just one light and a projector— with a dramatic result. I was experimenting with zooming my lens from 35mm to 16mm as I simultaneously panned the camera during the long exposure. The strobe on the background kept her silhouette intact while the projector and camera movement created the wavy, fluid lines.
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True Blue
Rae of Light
Rae is a dancer with Balletmet and a frequent collaborator with me. She’s as willing to experiment as she is talented, which means we always come away with a great range of images. We started off by creating fragmented portraits courtesy of my broken mirror, before moving on to creating golden images with slow shutter speeds and mylar reflections.
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His and Hers
This was a fun one. Chyna and I have fallen into a nice rhythm with our shoots, as we have been collaborating every 2-3 months. It goes like this: she shows up with several outfits that she cobbled together from her closet or the thrift store; I look over what she brought and quickly brainstorm how to best light/shoot the looks; we play…
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Shoot Diary: Korn X Revolver Magazine
Last month when I was on set for the Starset shoot I received a text from my buddy Jimmy, the photo editor at Revolver magazine. He asked if I would be interested in shooting Korn in LA on Thursday. As in three days away. The band was planning a private release show for Friday the 13th, in anticipation of the release of their 13th album, The Nothing. My response? “Definitely.”
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All the Things
This shoot was all over the place. It was equal parts conversational (we hadn’t shot in a couple of years) and me just winging it (as usual). I started off by just using window light. Then I added in a background light and slowed down my shutter speed to get a blurry subject and sharp silhouette. I experimented with a prism for a bit and then added in a bit of multiple exposure with some coconut oil on my lens (why not try all the things at once?). I finished off the shoot with a minimalist tabletop setup and one light. A visual crescendo before the calm.
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When You Move I Move
I love working with dancers, and Kristie in particular. There is so much power and calculation and precision in her movement (or even just her finger shape). We’ve shot together a dozen times by now, so there is almost no need for communication. She does her thing and I do my best to keep up. The hardest part for me is figuring out new ways to shoot her…
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He's Seen the Same Things I've Seen and It's Certainly Made an Impression on Me
Jim is one of my favorite people to collaborate with. Not only does he bring great poses and emotion to every shoot but his older age brings an element of wisdom and time to the shoot that it would otherwise lack. He becomes my surrogate self for a few minutes, during the session. Depending on how I direct or light or pose him I can explore my own feelings of terror, hope, fear, or acceptance…
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