Google+
    • Portraits
    • MUSIC
    • Editorial
    • Multiple Exposure Portraits
    • Projector Portraits
    • Dance
    • Commercial
    • Video
  • About
    • Patreon Channel
    • Workshops
    • Lens Filters
    • Remote Photo Shoots
    • Tutorials / Presets
    • Books
    • Prints
  • Blog
  • Contact
Menu

Nick Fancher

Editorial, Music, and Commercial Photographer
  • Portfolio
    • Portraits
    • MUSIC
    • Editorial
    • Multiple Exposure Portraits
    • Projector Portraits
    • Dance
    • Commercial
    • Video
  • About
  • Shop
    • Patreon Channel
    • Workshops
    • Lens Filters
    • Remote Photo Shoots
    • Tutorials / Presets
    • Books
    • Prints
  • Blog
  • Contact

New Work with Muse

January 14, 2022

Back in November I flew out to LA to shoot two of the members of Muse. One of the members wasn’t able to attend the shoot, so a week later I met up with him in London where I set up a makeshift studio in a lobby. While I was shooting at the studio in LA I had to be cognizant of the fact that the space I would be shooting in a week later would have to be recreated on a 4-foot wide seamless in a hallway. Thankfully I had the Lindsay Adler X Westcott Optical Spot, which allowed me to control and sculpt light in a small space (historically I would’ve used a projector or flags, which requires working in a dark or large space).

This shoot was a milestone for me for several reasons. First, Muse is a legendary band that I’ve been listening to for almost two decades, so this was an “achievement unlocked” moment in every sense of the word. Secondly, the shoots creative direction was based on my personal work, meaning that all of the unpaid work that I created when client work was non-existent wasn’t for nought. Third, the logistics of having to match a portrait created in a lobby with studio portraits meant that I had to put my Studio Anywhere muscles to work, thus validating my journey of working with minimal, portable gear (which was born out of necessity since I was broke lol). I had to rely on every skill I had to pull off this job, and I did it.

I want to thank Jesse Lee Stout / Metaform Studio for their trust and for including me in their vision.

View fullsize MUSE_2021_1.jpeg
View fullsize MUSE_2021_2.jpeg
Tags muse, won't stand down, press photography, music photography, band photography, muse band, nick fancher, los angeles editorial photographer, los angeles music photographer, london music photographer, studio anywhere, optical spot lindsay adler, westcott optical spot, composite, personal work, new york city editorial photographer, music photographer, editorial photographer, photography blog, in camera effects
← Using a Fungus-Filled Lens with Long Exposure and Prisms to Create Psychedelic In-Camera EffectsColorful Long Exposure Portrait Shoot with Lily →
Nick Fancher | Photo Blog RSS

Latest Posts

  • January 2019 1
  • February 2019 5
  • March 2019 5
  • April 2019 4
  • May 2019 8
  • June 2019 8
  • July 2019 8
  • August 2019 6
  • September 2019 8
  • October 2019 7
  • November 2019 6
  • December 2019 8
  • January 2020 5
  • February 2020 6
  • March 2020 7
  • April 2020 8
  • May 2020 5
  • June 2020 4
  • July 2020 5
  • August 2020 7
  • September 2020 8
  • October 2020 8
  • November 2020 6
  • December 2020 6
  • January 2021 6
  • February 2021 7
  • March 2021 6
  • April 2021 5
  • May 2021 6
  • June 2021 6
  • July 2021 6
  • August 2021 3
  • September 2021 5
  • October 2021 4
  • December 2021 3
  • January 2022 2
  • March 2022 2
  • April 2022 3
  • May 2022 4
  • June 2022 1
  • July 2022 2
  • August 2022 4
  • September 2022 6
  • October 2022 1
  • January 2023 2
  • February 2023 1
  • March 2023 4
  • April 2023 1
  • June 2023 2
  • July 2023 1
  • August 2023 2
  • September 2023 4
  • October 2023 5
  • November 2023 3
  • December 2023 1
  • January 2024 3
  • February 2024 2
  • March 2024 8
  • April 2024 5
  • May 2024 2
  • June 2024 2
  • July 2024 2
  • November 2024 2
  • December 2024 1
  • February 2025 1
  • April 2025 1
  • June 2025 1
  • July 2025 1