Recent Work
Nick Fancher Nick Fancher

Recent Work

I have fallen behind when it comes to blogging, but still wanted to update it periodically. Here’s some of my favorite work from the last six weeks…

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Images From the November Creative Portrait Workshop
Nick Fancher Nick Fancher

Images From the November Creative Portrait Workshop

Last week I hosted another one of my Creative Portrait workshops, in Columbus, Ohio. Students came in from Toronto, Portland, Asheville, and San Francisco to learn some of my lighting and camera techniques. Big thanks to @westcottlighting for providing the strobes, transmitters, and light modifiers, and to @nanliteusa for providing the LEDs.

My next workshop is January 25-26 and is at a discounted rate until December 15. There are only five spots FYI. More info, here.

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Jordan Larson X ESPN
Nick Fancher Nick Fancher

Jordan Larson X ESPN

Back in April I was given the opportunity to work with 3-time Olympic medalist Jordan Larson @gov1007 for @espn. In the pre-production call with the creative team, I suggested a couple of techniques I could use as a way of capturing her power and grace…

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Multiple Exposure Portraits with Roarie Yum
Nick Fancher Nick Fancher

Multiple Exposure Portraits with Roarie Yum

My studio is located within @thefort614, which is a 130 year old warehouse on the south side of Columbus. It used to be the home of the Seagrave Company, which used the space to manufacture fire engines and other rescue vehicles, for over 60 years. Every square inch of the building has a glorious patina that can’t be faked. The cracked plaster, distressed flooring, and sun-faded glass is something especially rare in this fast growing city, populated with new builds…

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Multiple Exposure Portraits with Rigid Textures
Nick Fancher Nick Fancher

Multiple Exposure Portraits with Rigid Textures

Last year I explored fluidity quite a bit in my work, and this year I’ve been gravitating towards rigidity. To create these images I wandered around taking photos of a range of textures, which I used as a base layer to make in-camera multiple exposures in two portrait sessions.

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Images From January's Creative Portrait Workshop
Nick Fancher Nick Fancher

Images From January's Creative Portrait Workshop

Here are a handful of my favorite images from January’s Creative Portrait workshop. I’ve been teaching workshops since 2011 and have been slightly modifying the format each time until I found the current iteration. I now cap the two-day class at five students, which allows for more hands-on time and exploration of each technique. Since there are endless variations that can be created from any one of the techniques that I teach, I start by showing the class three iterations, and then I guide them, one at a time, in helping them fold it into their own visual style. This allows students to really retain the knowledge, as well as work it into their personal style.

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Fluid Portraits Commission by Unsplash+
Nick Fancher Nick Fancher

Fluid Portraits Commission by Unsplash+

These images were all created using in-camera effects. No Photoshop was used— only color grading in Lightroom.

I was recently commissioned by Unsplash+ to create a library of fluid portraits. Last year I began working on a new body of images where I explore fluids and in-camera multiple exposures. My Canon 5DIV allows me to select an image from my memory card and overlay it on my viewfinder, when in “live view”, which allows me to intentionally compose multiple exposures. Even though I know more or less how the fluid and the portrait will merge, there is always a moment of surprise when the final image pops up on my screen. As you can see in the gallery below, the same fluid shot will produce wildly different results depending on how the subject is light, the clothes they’re wearing, their hair, the complexion of their skin, etc. This makes each image a one-of-one.

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Zenith Pilot Big Date Flyback Editorial for Road & Track Magazine
Nick Fancher Nick Fancher

Zenith Pilot Big Date Flyback Editorial for Road & Track Magazine

I’m excited to share this editorial that I did for @roadandtrack magazine. I’ve been working with fluids such as food dye and ink a lot lately and decided to use them in this shoot to create an elemental feeling, fitting with the theme of the issue: air. I find a still life to be harder to photograph than portraits because there are no happy accidents. All you get out of a shoot is whatever you put in.

Huge thanks to @cassidyzobl for the trust and opportunity. Swipe for #BehindTheScenes

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New Flower Portraits and a Fine Art Print Sale
Nick Fancher Nick Fancher

New Flower Portraits and a Fine Art Print Sale

Historically, whenever I create something that I’m really excited about, I immediately get overwhelmed (this latest shoot is case in point). I’ve thought about reasons why it may affect me in this way, and here are just a few…

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