Nick Fancher 7/30/25 Nick Fancher 7/30/25

Manny Pacquiao for ESPN

This shoot with the legendary boxer / former senator of Philippines / genuine man of the people @mannypacquiao for @ESPN was a new record for me in terms of speed of shooting (which seems appropriate given the speed at which Manny fights). Only four minutes elapsed from the time I took my first portrait of Manny to the last portrait…

Nick Fancher 4/7/25 Nick Fancher 4/7/25

Trying Out the GVM B100C Foldable LED Light

I was recently sent a GVM B100C, which is a foldable LED light. To get a sense of it’s capabilities I did a shoot with Rachel Luree and used the light in two different setups…

Nick Fancher 1/29/24 Nick Fancher 1/29/24

Avatar: The Last Airbender Photo Shoot for Entertainment Weekly

This is one of those achievement-unlocked moments for me. Since I first picked up a camera as a teenager (27 years ago 😱), one of my dreams was to shoot for @entertainmentweekly. A few weeks ago that dream came true, when I was given the opportunity to shoot the cast of the new, live-action adaptation of @avatarnetflix, which premieres next month on @netflix.

Nick Fancher 1/23/24 Nick Fancher 1/23/24

Zenith Pilot Big Date Flyback Editorial for Road & Track Magazine

I’m excited to share this editorial that I did for @roadandtrack magazine. I’ve been working with fluids such as food dye and ink a lot lately and decided to use them in this shoot to create an elemental feeling, fitting with the theme of the issue: air. I find a still life to be harder to photograph than portraits because there are no happy accidents. All you get out of a shoot is whatever you put in.

Huge thanks to @cassidyzobl for the trust and opportunity. Swipe for #BehindTheScenes

Nick Fancher 11/13/23 Nick Fancher 11/13/23

Photo Shoot with a Projector and Prisms

New work with @fulltime_babe. Been continuing my trip down the prism rabbit hole. I’ve learned the importance of waiting to edit a shoot until I’m in the proper headspace to really explore where the images want to go. The smallest tweak to my color grade can completely change the vibe of an image.

Nick Fancher 11/2/23 Nick Fancher 11/2/23

Glowing Halo Photo Shoot (In Camera Effect)

This glowing halo effect is latest technique that I’ve been exploring. The possibilities are as exciting to me as they are overwhelming. I want to dive in and try everything at once, but I’ve learned to let the process dictate the pace…

Nick Fancher 10/24/23 Nick Fancher 10/24/23

I Discovered a New In-Camera Glow Effect

This was my first shoot exploring a new technique, and I’m ecstatic at the potential. This is just the tip of the iceberg. I’d love to shoot a music video in this style, so hit me up if you’re in the market for one.

Nick Fancher 8/31/23 Nick Fancher 8/31/23

In-Camera Multiple Exposures with Liquid and a Model

Here’s my latest exploration with combining images of fluids with in-camera multiple exposure portraits…

Nick Fancher 3/9/23 Nick Fancher 3/9/23

Projector Photo Shoot : A Collaboration with Digital Artist Christopher Royal King

I recently collaborated with musician and digital artist @christopherroyalking. He created a bunch of images that I used to project onto @_soniaconstable. These images were created strictly with in-camera effects (no photoshop was used)— a fact that I especially pride myself in, in a time of AI-generated imagery.

Nick Fancher 3/3/23 Nick Fancher 3/3/23

My Colorful Portrait Shoot for Tech Industry's Sidebar

Back in January I had the privilege of working with Sidebar to create a library of images for their new website launch. I’m so grateful for such a wonderful opportunity and true collaboration with the team at Sidebar as well as the designers and creatives at Mackey Saturday that developed the campaign. Big thanks to @elizabethcareysmith for art directing, @kyleameeks for assisting, @xixstudios for hosting, and all the subjects for bringing power and joy to the shoot.

Nick Fancher 1/25/23 Nick Fancher 1/25/23

Fuzzy Rainbows: Psychedelic Photo Shoot with Prisms

For this shoot I worked with prisms and boldly-colored gelled lights. I love the results, which simultaneously feel vintage and futuristic— psychedelic and cyberpunk. As always, these effects were created in-camera, only using Lightroom to enhance color and contrast.

Nick Fancher 10/20/22 Nick Fancher 10/20/22

Photographic Interpretations of the Book of Revelation: A Commission by Rock City Church

I was recently commissioned by @rockcitychurch to create a library of images based on the book of Revelation (themes such as confusion, suffering, dying, and persevering). To create these images I employed a range of camera and lighting techniques to capture @repotrash, @priscilladwomoh, @ninjalascriss, and @johnathondarcelle, as well as create some abstract images to represent these themes. Creative direction by @mitchellaadams.

Nick Fancher 9/28/22 Nick Fancher 9/28/22

Elastic Plastic: Exploring a New Material with Alayna

Here's some recent work with @a.bean.sprout. It's been a couple years since our last collaboration and was a great time of conversation and art-making. I especially had fun exploring shooting through a piece of plastic that my friend @davidtsigler salvaged from an old Mac monitor. The red in that first image is actually a warped reflection of the red shirt I happened to be wearing at the shoot. My mind is still pouring over the possibilities that this material affords me.

Nick Fancher 8/24/22 Nick Fancher 8/24/22

Tangerine Dreams: Soft, Hazy Nightmares with Cecily

In this shoot with Cecily I explored hazy, vibrant lighting, tapping into old sci-fi and 70’s horror film vibes…

Nick Fancher 5/30/22 Nick Fancher 5/30/22

Psychedelic 60s and Futuristic Sci-Fi Vibes with Rachel

My latest shoot with Rachel found me continuing to explore glowing auras, as well as playing with reeded plastic from the hardware store.

Nick Fancher 12/7/21 Nick Fancher 12/7/21

Hair / Beauty Shoot with Chyna Tené

A few weeks ago my friend and frequent collaborator @chyna.tene stopped by my studio to hang out. She brought some of her crafting materials with her to work on some of her art while we chatted. We got to talking about hair and I showed her a book of hair portraits from J.D. ‘Ojeikere before suggesting that we do a similar, hair-themed session. She selected some jewels and I cut some strips of wire from her crafting materials and we styled her hair in several different ways. I used the @lindsayadler_photo x @westcottlighting Optical Spot and gobos to illuminate her in a variety of patterns. The whole shoot only took about 45 minutes but the act of creation and collaboration stuck with me for the rest of the day.