Manny Pacquiao for ESPN
This shoot with the legendary boxer / former senator of Philippines / genuine man of the people @mannypacquiao for @ESPN was a new record for me in terms of speed of shooting (which seems appropriate given the speed at which Manny fights). Only four minutes elapsed from the time I took my first portrait of Manny to the last portrait…
Recent Work
I have fallen behind when it comes to blogging, but still wanted to update it periodically. Here’s some of my favorite work from the last six weeks…
Identity: A Commission by Unsplash+
The team at Unsplash reached out to me to commission a body of work around the theme of identity. Identity is such a broad, subjective concept that I ultimately used several different technical approaches to create the portraits…
Images From January's Creative Portrait Workshop
Here are a handful of my favorite images from January’s Creative Portrait workshop. I’ve been teaching workshops since 2011 and have been slightly modifying the format each time until I found the current iteration. I now cap the two-day class at five students, which allows for more hands-on time and exploration of each technique. Since there are endless variations that can be created from any one of the techniques that I teach, I start by showing the class three iterations, and then I guide them, one at a time, in helping them fold it into their own visual style. This allows students to really retain the knowledge, as well as work it into their personal style.
Fluid Portraits Commission by Unsplash+
These images were all created using in-camera effects. No Photoshop was used— only color grading in Lightroom.
I was recently commissioned by Unsplash+ to create a library of fluid portraits. Last year I began working on a new body of images where I explore fluids and in-camera multiple exposures. My Canon 5DIV allows me to select an image from my memory card and overlay it on my viewfinder, when in “live view”, which allows me to intentionally compose multiple exposures. Even though I know more or less how the fluid and the portrait will merge, there is always a moment of surprise when the final image pops up on my screen. As you can see in the gallery below, the same fluid shot will produce wildly different results depending on how the subject is light, the clothes they’re wearing, their hair, the complexion of their skin, etc. This makes each image a one-of-one.
Facing My Shadow Self
Five years ago my dear friend and mentor Sara Lando challenged me to turn my camera on myself, but I wasn’t ready. In the time that has passed since I was her student, I have been faced with more than a few dark nights of the soul. I have been forced to look critically at what I’ve experienced and endured in my life, and learn to accept all of it— the good with the bad— because the whole messy lot of it is what makes me, me. As such, I am warily venturing out into a new series of self-portraits…
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