My latest shoot with Rachel found me continuing to explore glowing auras, as well as playing with reeded plastic from the hardware store.
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Mylar Skull
Another of my mylar explorations. This is a 7-image sequence shooting reflections on mylar. All in-camera effects.
Fractals: Photographing Time and Space
Though I’ve been exploring long exposures and shutter drag in my portrait photography for years now, I’ve recently began to explore it in a new way. For some time now I’ve implemented intentional movement into my shoots but I was always doing the moving— not my subject. I’d shoot at exposures longer than 1/30th of a second and I’d move my camera around as my subject sat there. I’d mix in a strobe light with a continuous light source so that at least part of the subject was sharp while the rest of the frame fell away to blurred movement. Lately, however, I’ve decided to ditch the strobe and fully embrace the blur…
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Psychedelic Fever Dream
I recently picked up some prismatic window film, which is both reflective and transparent. I experimented with shooting the warped reflections on the surface and then moved on to shooting through it while lighting the model from behind. After going at it a few different ways I decided to start adding layers of texture to it by crinkling the film, splattering water drops on it, and layering up my fingerprints. The best thing about it? It’s portable, rolling up into a small tube…
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Dreams Are Like Water
I’ve been experimenting with photographing reflections in mylar for four shoots now, and I’m finally starting to get the hang of it. In order to get a good range of movement in the mylar (which translates to warped reflections), I set up an oscillating fan nearby, and turned it on to the lowest setting. The effect ranges from minimal to so abstract that you can’t even tell what you’re looking at, so there’s a bit of luck involved. Every time the fan would pass over the mylar, it would ripple like pond water after a rock was tossed in, so I basically shot like hell and hoped for something good.
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Glow and Flow
I’ve been shooting with the fungus-covered lens I bought off ebay for the past month. I find that I especially enjoy pairing the lens haze with warm lighting/toning, as you see above. Of course I can’t do any look or technique for very long before I find myself getting bored and wanting to move on to something else.
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